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102当代艺术空间【土地渍物】谢其昌抽象创作个展 Land Falvor: HSIEH Chi-Chang Abstract Creation Exhibition

《土地渍物》|谢其昌抽象创作个展

102当代艺术空间:【土地渍物】谢其昌抽象创作个展 Land

展览空间照。

102当代艺术空间:【土地渍物】谢其昌抽象创作个展 Land

展览空间照。

102当代艺术空间:【土地渍物】谢其昌抽象创作个展 Land

展览空间照。

102当代艺术空间:【土地渍物】谢其昌抽象创作个展 Land

展览空间照。

102当代艺术空间:【土地渍物】谢其昌抽象创作个展 Land

展览空间照。

102当代艺术空间:【土地渍物】谢其昌抽象创作个展 Land

展览空间照。

102当代艺术空间:【土地渍物】谢其昌抽象创作个展 Land

展览空间照。

102当代艺术空间:【土地渍物】谢其昌抽象创作个展 Land102当代艺术空间:【土地渍物】谢其昌抽象创作个展 Land
    展期

    日期:2019-03-08 ~ 2019-04-20

    地点

    台南市仁德区成功三街102号

    参展艺术家

    谢其昌

    102当代艺术空间:【土地渍物】谢其昌抽象创作个展 Land102当代艺术空间

    台湾,台南市

      《土地渍物》|谢其昌抽象创作个展
      Land Flavor: HSIEH Chi-Chang Abstract Creation Exhibition
      开幕|2019/03/09 SAT 15:00
      展期|2019/03/08 - 04/20
      地点|102当代艺术空间|台南市仁德区成功三街102号
      时间|TUE- SUN 11:00 - 18:00 (MON off)
      〈土地渍物〉的创作脉络与题材的构思,是谢其昌继〈自然序〉与〈旅行渍物〉之后回归到自己所处的文化场域,透过自身的成长学习背景与留学经验的冲突与相容,将残留在内心的迴荡旅程,经由时间的氧化,释放自我潜藏内心的直觉意识,并且重新审视自我内在心境与土地的对话。

      创作表现上以一种自由感受的直觉,让自己重新关注到绘画行为的本身及绘画过程中身体上的状态,唤醒每个迴荡的过程,释放潜藏内心的直觉意识,以类书法、涂鸦抒发,反覆堆叠、覆盖寻求心灵的连结,将东方文化思维和西方抽象艺术为基底,客观凝练了自然世界的信号,描绘现实与理想间的「风景类地图」。

      此次展览可以看到谢其昌在作品中使用类书法、几何与类似涂鸦文字的图案或形状,营造出书写性的符号,这是文化自然情感的符号,也是文化自然痕迹的记录。运用类书法和涂鸦的抽象表现形式,藉由技法的偶发与自动性製造出滴流痕迹,画面中的动感线条,铺陈画布空间,以反覆擦拭、涂改的方式,表现出多重空间与影像相互交叠的状态,藉由创作过程找寻永恆片段的内在风景建构,拼凑熟悉却又多变的生活记忆。
      The concept and work-foundation of “Land Flavor” was formed by Hsieh Chi-Chang as a recap after his previous artwork series “Natural Overture” and “Travel Trace”.

      By going through all the working experience and process repeatedly with the personal life experience which he had been through, he was able to unleash a true side of his feeling toward the nature and reevaluate the gap between him and the environment as a human being but not as an environmentalist.

      The ideas of his art work are based on freedom and self-intuition. In every artwork of him, a pure focus and simplicity were expressed by interaction between the nature and harmony to wake every hidden part of how the humanity might have based on what they saw at their surroundings. The mix between Calligraphy and graffiti were combined and used as one on the paintings is to demonstrate the balance and connection between Eastern and Western art, and also to show the ideal “inner map” for everyone based on the way they look at the nature.

      There are couple thing which the audience could discover from the exhibition. For instance, the writing and symbol that based on random graffiti and calligraphy etc. They stood out as the trace and inner memory that humanity and the nature ever shared. Each brash stroke shows the multiple combinations between how human life is intertwined with what they have experienced through natural and how and what they seek to perfect their work for the nature or environment. In other word, it is like viewing an ambiguous vibe from everything that has been existing for a long time to “How” they are perfected to be a better piece of art work.


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